En Fr
  • 1.

    The Sensual City path

  • 2.

    The climate

    Architecture is not just a matter of construction.
    It is also a question of atmosphere.
    It is now possible to create environments that are more comfortable and energy-saving without abandoning the architect’s principal aim which is to determine an atmosphere. This is achieved by controlling the environmental techniques that allow a better management of flows, light, noise and temperature.
    But there needs to be an acceptance that not all should be controlled. The desire to control a building’s environment has led, for example, to the creation of inwardly focussed, neutral, sanitised spaces that are completely isolated from the outside world. An example of this can be seen with these gigantic, automatically controlled glasshouses that have no relationship whatsoever with their surrounding environment. Completely self-enclosed and identical under all circumstances, they are a negation of the outside world. Paradoxically, the contemporary concern for global warming is leading us to create climate-free worlds from which the inconveniences as well as the pleasures of the various seasons are banished.
    But what makes the atmosphere of a setting is precisely its capacity to recognise and accept the climate, to adapt to rather than deny the changing atmospheric environment. Bioclimatic architecture considers that rather than being hostile, the climate is a source of well-being. It is an architecture that learns to live with the changing seasons and is able, thanks to this approach, to protect or expose itself to its characteristics.

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        T X T

        Delivered | Paris | France | 2012

        Why SCS loves We love green?

        Given the depletion of natural resources, it is now necessary to do more with less and to invent a new economy of sharing. Sensual Studio City joins We Love Green to promote sustainable design architecture, based on the reuse and recycling of materials.

        We Love Sensual City is an installation consisting of metal hoops and sheets on which are printed photographs. What first seems to be a photographic exhibition on the Asian city turns out to be a sensitive trip in Asian cities. Walking through the sheets, an interpretation of cloth hanging from the windows, the visitor is invited to experience the sounds, textures, light and wind while discovering what makes the quality of the landscape urban Asia. In this sensitive evocation, this metropolis no longer appears as the symbol of the generic city, cold and standardized, but rather as a source of inspiration to merge contemporary and vernacular.

        I M G
        V I D
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  • 3.

    Built landscapes

  • 4.

    On the waterside

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    In the sky

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    Movement and balance

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  • 8.

    The materiality of cities

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